Cloud AtlasDavid Mitchell
Review – Part 1
Cloud Atlas is a
very unusual book, and deserves an unusual review.
Cloud Atlas is
separated into six individual stories, vastly separated in time and place and
genre, with only the remotest links between them.
It opens in the 18th century with the diary
entries of Adam Ewing, an American notary in the South Pacific, confronting the
realities of the slave trade while being secretly poisoned by a ‘friend’. The story is cut off, mid-story, mid-sentence,
and we find ourselves reading letters from Robert Frosbisher.
Frobisher is a scheming, amoral, irresponsible young English
musician in the early 19th century who attaches himself to a
composer’s family to further his own goal of writing a great symphony and becoming a famous composer. He is a nasty and selfish man and yet
likeable as a sexy, incorrigible scoundrel.
His letters, too, end abruptly, and the reader is suddenly
introduced to Luisa Rey, an idealistic journalist in the 1970s in a fictional
city fighting to expose a corporate conspiracy to deliberately cause a nuclear
reactor meltdown in order to maximize oil profits.
Luisa leaves us, having been driven off a bridge by a corporate
henchman and is replaced by Timothy Cavendish. Cavendish is a funny, nervous
little publisher with very few principles in the present time who finds himself incarcerated
against his will in a nursing home replete with Nurse Ratchett-types and no hope of escape.
Cavendish’s story is interrupted by an “orison”, a kind of
legal testament given by Somni-451, a service clone in future Asia. We are
introduced to her life as a clone, and the bewildering experience of becoming a
focal point for a revolutionary movement she doesn’t understand.
Again, her story is ended without completion to bring us to
Zach’ry, a young man in post-apocalyptic Hawai’i who becomes embroiled in an
outsider’s attempt to save the remnants of her people. Zach’ry’s story is the
only story offered whole, without interruption.
Then the book resumes with the closing half of the preceding
stories in reverse order. We learn the fate of Somni-451, if Timothy escapes
the nursing home, if Luisa survives her plunge and saves her city, if Frobisher
succeeds in his games, if Ewing survives his ‘friend’.
What is initially curious, and frustrating, is that there
seems to be no solid common thread in the stories. They are set far apart in
time, space, and genre, and there is no obvious, underlying theme tying them
all together. The only clear link is the clumsy detail that each of the main
characters has a comet birthmark. I suspect this comet birthmark had a lot to
do with my friend’s review of Cloud Atlas:
"What a load of pretentious rubbish that book was...makes me cringe just thinking about the time in my life I spend reading it that I will never get back."
However, I disagree. In Part II of this review, I will explain why Cloud Atlas is a literary treasure, and offer up my theory on the birthmark issue (spoiler alert: it has nothing to do with reincarnation).
"What a load of pretentious rubbish that book was...makes me cringe just thinking about the time in my life I spend reading it that I will never get back."
However, I disagree. In Part II of this review, I will explain why Cloud Atlas is a literary treasure, and offer up my theory on the birthmark issue (spoiler alert: it has nothing to do with reincarnation).
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